You didn’t just have to sing, and learn how to gut a fish, you also had to learn a whole new language. UA: This was a completely new world for you. So as daunting as it was, I wouldn’t have had it any other way. So I thought it was the absolute perfect, perfect song to choose. She has to come to terms with separating from them. ![]() So it’s the perfect song for CODA because Ruby is coming to the end of her childhood, and she’s at that moment in life where she feels torn between the people that she loves and also creating an identity apart from them. She said that the song was the work of her childhood’s end. I was talking to Siân recently, and she was watching a Joni Mitchell documentary, and Joni was saying that when she wrote “Both Sides Now” she was kind of meditating on fantasy and reality, this kind of childlike optimism versus adult reality. ![]() But in all honesty, it was the perfect song for for our film, and for Ruby at that moment in the film. I’m sure there won’t be a dry eye during that scene when you sing “Both Sides Now.” Can you talk to be about what it was like for you in taking on something like that?Įmilia Jones: I mean, it was daunting, that’s for sure. I was speaking to Siân and we were talking about Joni Mitchell and the expectation that comes with singing one of her songs. Advertisement Umapagan Ampikaipakan: Emilia, you were absolutely astounding in this.
0 Comments
Leave a Reply. |